Michael Kors’ ‘Hotel Stories’: Fashion meets experience in China

Overview On a misty spring afternoon in Hangzhou, capital of Zhejiang province, a Michael Kors wooden row boat moves quietly across West Lake. Along the bank, at the Sisan Hotel, guests sip Longjing tea, and sample MK cocktails and a Leifeng Tower-shaped dessert from a curated tasting menu. This isn’t a vacation — it’s a fashion campaign. This spring, Michael Kors launched “Hotel Stories,” a multi-sensory lifestyle experience aimed at China’s experiential luxury consumers — each chapter begins at a boutique hotel. Set against the lush backdrop of Longjing Mountain, Michael Kors has transformed a sun-dappled Chinese courtyard into a spring-themed pop-up. Stone-paved paths lead to oversized bag installations, suitable for photo opportunities, while inside, the latest Jordi bags are displayed in an atmosphere of effortless, laid-back elegance. Visitors can take afternoon tea beneath soft denim-blue umbrellas, seated on matching sofas immersed in the surrounding greenery. In an exclusive collaboration with West Lake, row boat experiences elevate the narrative. Hangzhou is the first Chinese destination in this global series, picked for its poetic landscapes and wealthy weekenders. The campaign fuses travel, fashion, and local culture into an immersive narrative — where the brand brings its modern jet set lifestyle to life — travel in style. The Hangzhou experience: Luxury through local culture According to the 2025 Hurun Chinese Luxury Consumer Survey, travel has overtaken health and wellness as the top category for increased spending among China’s elite. “Hotel Stories” directly targets this shift, transforming traditional product marketing into curated storytelling that reflects how China’s consumers now seek meaning, beauty, and personal resonance from brands. The campaign’s anchor product — the Jordi — moves in tandem with the experience. After debuting via a buzzworthy Chengdu pop-up last year, it now takes center stage in Hangzhou, where Michael Kors has created a serene and photogenic escape. Designed with soft folds inspired by origami and rendered in washed denim blue, the Jordi is presented not as a luxury good, but as a travel companion — relaxed, understated, and attuned to the city’s slower rhythm. Netizens’ reaction This strategic storytelling has resonated with Chinese netizens. On Xiaohongshu (also known as RedNote), campaign-related hashtags, such as “MK Jordi Totes” (#MK小懒包) and “MKhotelstories” have gained 9.7 million and 574,000 views, respectively. KOLs and everyday users alike have shared curated snapshots of the bag in picturesque settings, from beachside vacations to scenic teahouses, contributing to the product’s image as an aspirational part of a broader “travel chic” aesthetic. Xiaohongshu fashion blogger Cui Jianing (@崔珈宁) posted a video of herself traveling from Shanghai to Michael Kors’ pop-up event in Shanghai with a woven Jordi tote, calling it her favorite bag for travel. “This is exactly the kind of recharge we introverts need — checking into a beautiful hotel, relaxing by the pool, and tossing everything into my Jordi without a second thought. The high quality cowhide feels soft and delicate, the design is refined yet practical and lightweight. It can be carried in three different ways. This trip was all about laying low and unwinding — and the Jordi was the perfect companion.” Open to the public from April 25 to May 5, the Michael Kors teahouse pop-up at the Sisan Hotel invites consumers to experience the collection firsthand, co-create styling ideas inspired by the Michael Kors and Jordi aesthetic. This tactic has encouraged organic engagement and mirrored Xiaohongshu’s broader appeal: community-first, highly aesthetic, and rooted in real-life storytelling. Verdict As China’s luxury market undergoes a period of sluggish growth — in 2024 premium handbag sales dropped 9% and high-end watches dropped 22% YoY, according to Hurun — brands are reevaluating how to sustain relevance and emotional connection. Michael Kors’ “Hotel Stories” represents a shift toward softer, slower marketing that prioritizes atmosphere and place over direct promotion. In emphasizing mood, memory, and cultural alignment, the brand taps into how younger HNWIs — who now average 24 vacation days annually — want to engage with luxury: not just through purchases, but through experiences that feel both personal and shareable. In Hangzhou, Michael Kors has created more than a campaign — it has established a template. “Hotel Stories” may well serve as a roadmap for how legacy brands in China can rethink relevance through immersive storytelling and lifestyle-driven resonance.

Michael Kors’ ‘Hotel Stories’: Fashion meets experience in China

On this page

Published April 28, 2025

Sectors

Insights

Company

Michael Kors’ ‘Hotel Stories’: Fashion meets experience in China